Fall Out Boy: Listen to Save Rock and Roll

this album is one that is particularly close to us. we recorded it in secret from the music industry, critics, and even our fans. an artists first record sounds the way it does because it is often made without expectations. this is not our first record. but because of the way we went about making this one in the shadows it is with out a doubt the first record in a new chapter of fall out boy. we made this music for ourselves and no one else at the end of the day. this is meant be played loud, with the windows down on summer nights. four friends with our backs to each other fighting in the darkness against anything and everything that is out there. we bowed our heads, took a knee and plugged back in. from the first strings to the last shouts- this is us. these incantations are meant to conjure realness, to unlock whatever the rock and roll is inside each of you- in each of us. put on your headphones, turn it up- this is what we have spent the last year and a half making. most importantly, thank you for wishing or waiting- because with out you, the most important piece, this record would never have been made. so we figured you have waited long enough… with out further ado, please listen closely:

listen to the album on YouTube also

save rock and roll out april 15th & 16th worldwide, preorder on iTunes for $7.99

learn the songs and come sing along on the save rock and roll arena tour.

image

9/5 - Uncasville, CT @ Mohegan Sun - (Tickets)
9/6 - Lowell, MA @ Tsongas Arena - (Tickets)
9/7 - Brooklyn, NY @ Barclays Center - (Tickets)
9/8 - Philadelphia, PA @ Liacouras Center - (Tickets)
9/10 - Fairfax, VA @ Patriot Center - (Tickets)
9/11 - Cleveland, OH @ Wolstein Center - (Tickets)
9/14 - Auburn Hills, MI @ Palace of Auburn Hills - (Tickets)
9/15 - Toronto, ON @ Echo Beach at Molson Canadian Amphitheatre (on sale 4/12 10am)
9/18 - Broomfield, CO @ First Bank Center - (Tickets)
9/20 - Anaheim, CA @ Honda Center - (on Sale 4/19 at 10am PST)
9/21 - San Francisco, CA @ America’s Cup Pavilion - (Tickets)
9/22 - San Diego, CA @ Valley View Casino Center - (Tickets)
9/25 - The Woodlands, TX @ Cynthia Woods Mitchell Pavilion - (Tickets)
9/26 - Grand Prairie, TX @ Verizon Theatre at Grand Prarie - (Tickets)
9/28 - Alpharetta, GA @ Verizon Wireless Amphitheatre at Encore - (Tickets)
9/29 - Tampa, FL @ USF Sun Dome - (Tickets)

falloutboy:

the save rock and roll arena tour goes on sale today (in 1 hour!). we’re way too excited so we decided to drop a new song. listen to “young volcanoes” and get ready to grab tickets to the tour. we can’t wait to see your faces this fall. last chance to dance in 2013!

image

9/5 - Uncasville, CT @ Mohegan Sun (on sale 4/6 10am EST)
9/6 - Lowell, MA @ Tsongas Arena (on sale 4/5 10am EST)
9/7 - Brooklyn, NY @ Barclays Center (on sale 4/5 11am EST)
9/8 - Philadelphia, PA @ Liacouras Center (on sale 4/6 10am EST)
9/10 - Fairfax, VA @ Patriot Center (on sale 4/6 10am EST)
9/11 - Cleveland, OH @ Wolstein Center at Cleveland State University (on sale 4/5 10am EST)
9/14 - Auburn Hills, MI @ Palace of Auburn Hills (on sale 4/6 10am EST)
9/15 - Toronto, ON @ Echo Beach at Molson Canadian (on sale 4/12 10am EST)
9/18 - Broomfield, CO @ First Bank Center (on sale 4/5 10am MDT)
9/20 - Anaheim, CA @ Honda Center (on sale 4/19)
9/21 - San Francisco, CA @ America’s Cup Pavilion (on sale 4/5 10am PST)
9/22 - San Diego, CA @ Valley View Casino Center (on sale 4/5 10am PST)
9/25 - The Woodlands, TX @ Cynthia Woods Mitchell Pavilion (on sale 4/5 11am CST)
9/26 - Grand Prairie, TX @ Verizon Theatre at Grand Prairie (on sale 4/5 10am CST)
9/28 - Alpharetta, GA @ Verizon Wireless Amphitheatre at Encore (on sale 4/5 10am EST)
9/29 - Tampa, FL @ USF Sun Dome (on sale 4/5 10am EST)

image

Save Rock and Roll out 4/15 & 4/16 worldwide. Preorder on iTunes for $7.99 (this price is only for a limited time) and get an instant download of “the phoenix”

Just some awesome friends being awesome. Have a good day everybody.

falloutboy:

presenting the save rock and roll fall US arena tour. last chance to dance in 2013, let it all out. tickets go on sale 4/5 & 4/6. special guests to be announced soon.

9/5 - Uncasville, CT @ Mohegan Sun
9/6 - Lowell, MA @ Tsongas Arena
9/7 - Brooklyn, NY @ Barclays Center
9/8 - Philadelphia, PA @ Liacouras Center
9/10 - Fairfax, VA @ Patriot Center
9/11 - Cleveland, OH @ Wolstein Center at Cleveland State University
9/14 - Auburn Hills, MI @ Palace of Auburn Hills
9/15 - Toronto, ON @ Echo Beach at Molson Canadian
9/18 - Broomfield, CO @ First Bank Center
9/20 - Anaheim, CA @ Honda Center
9/21 - San Francisco, CA @ America’s Cup Pavilion
9/22 - San Diego, CA @ Valley View Casino Center
9/25 - The Woodlands, TX @ Cynthia Woods Mitchell Pavilion
9/26 - Grand Prairie, TX @ Verizon Theatre at Grand Prairie
9/28 - Alpharetta, GA @ Verizon Wireless Amphitheatre at Encore
9/29 - Tampa, FL @ USF Sun Dome

Save Rock and Roll out 4/15 & 4/16 worldwide, pre-order here.

falloutboy:

Welcome to the Prequel! Here’s the video for “the phoenix” - it tells the tale of how we ended up blindfolded in the back of the black van in the mskwyditd video.This is chapter 2 of 11. Stay tuned for chapter 3, coming to a computer, tablet, or phone near you soon.

Here’s something else. Instead of putting the album on iTunes at a cheap sale price after all our hardcore fans have already bought it, we’re starting with it on sale from day 1. “Save Rock and Roll”  is now available to preorder on iTunes in the US, Canada, and Mexico for $7.99 (limited time only on that price). It will be available everywhere else for preorder worldwide at midnight local time tuesday (late Monday night local time). It  comes with an instant download of “The Phoenix” as well.  

Put on your war paint!

falloutboy:

It’s Courtney, bitch

falloutboy:

when we were beginning the journey of making this record we wanted to find some inspirational images. we came across the punk and monk image on the Internet and it really solidified what we were trying to get across on the record- the idea of old and new clashing. tradition and change coming together. there was something striking about it. obviously this is an image that means a lot to many people- we felt like we wanted to be part of this conversation. these kids represent the youth, change and irreverence that we hope our record is listened to with. at the end of the day we just want to take the rules and start all over with save rock and roll anyway. shout out to Roger Stonehouse for capturing the original photo and allowing us to share it with the world Save Rock and Roll out April 15th and 16th worldwide, preorder here.

falloutboy:

when we were beginning the journey of making this record we wanted to find some inspirational images. we came across the punk and monk image on the Internet and it really solidified what we were trying to get across on the record- the idea of old and new clashing. tradition and change coming together. there was something striking about it. obviously this is an image that means a lot to many people- we felt like we wanted to be part of this conversation. these kids represent the youth, change and irreverence that we hope our record is listened to with. at the end of the day we just want to take the rules and start all over with save rock and roll anyway.

shout out to Roger Stonehouse for capturing the original photo and allowing us to share it with the world

Save Rock and Roll out April 15th and 16th worldwide, preorder here.

(Source: falloutboy)

Erin Go Blog

Dear Ireland,

On today, the day I annually feign membership in your myriad different cultures, I’d like to admit something I should’ve admitted a long time ago: I’m not Irish. This contradicts something I’d said onstage once years ago and the arrogance of it nags me every St. Patrick’s Day like a polaroid of one making out with that girl one doesn’t quite remember.

My grandfather’s grandfather (I think) came to Chicago some time in the mid to late 1800’s, having left some record of living in Cork (though Cork had been used as a port of exit for Irish from all over the island at the time). We believe he was a stowaway on a cargo ship across the Atlantic headed for Louisiana and hitched his way up the Mississippi into Illinois. He changed the family name from “Vaughan,” to the (to my understanding) more ethnically ambiguous “Vaughn” in order to get work.

My grandfather is half of Irish descent and this is my frail link to Ireland. The confirmed majority of my ancestry is German (and a heavy dose of Austrian). As is a common story in the United States though, I still look to “The Old Country,” for some sense of belonging…unintentionally negating my inherent American-ness. It’s offensive to both cultures at once: It belittles my actual country of origin while ignorantly appropriating Irish stereotypes.

Doing a little investigation, it’s entirely possible that I descend from one of the Vaughan clans that came to Ireland from Wales. Why do I not proudly proclaim my potential Welsh-ness? Why as well don’t I trumpet my German and Austrian heritage as loudly? Why for that matter do I also claim so steadfastly to be a Chicagoan when for 3 generations my family has lived 10 minutes into the North suburbs? What is it about the need for cultural identity that drives us to make such bold and sweeping claims?

Furthermore, what is it about human beings that invents cultural identities in the first place? To collect the 6.5 million people living in what are already two separate politically acknowledged (and embattled) countries and unilaterally call them “Irish,” says nothing of the many distinct subcultures from one side of a city to another (let alone island). For me, a foreigner, to thrust upon the Irish some sort of collective identity and then elbow myself into it expecting a high five and a Guinness should be not only laughable but insultingly so. 

Where I’m from the Chicago and “Greater Chicagoland Area,” experience can be unrecognizably different from block to block, neighborhood to neighborhood, suburb to suburb, county to county. This is amplified immensely when you get to the differences between Chicago, Rockford, East St. Louis, Moline, Peoria, Springfield, and Champaign yet they’re all “Illinois.” The implication is that I, born and raised in a suburb, have more in common with someone born in East St. Louis than I do with someone in say, Columbine Colorado. In fact, after the Columbine tragedy, CNN chose my high school as the most demographically similar to Columbine High School in all of the US. 

Now, I’m not chastising Americans of more legitimate Irish lineage celebrating their Irish-ness. I can think of three close friends off the top of my head who have dual citizenship. No matter how Irish they are or aren’t, I think that confirms that they are “More,” Irish than I.  Hell, I’m not chastising anybody really; If the rest of America wants to get drunk today and listen to the Pogues, that sounds like a good time and I’ll join you. Chicago dyes the river green and I’d be bummed if they didn’t.  I just don’t think my Anglicized first name in any way personally entitles me to pound my chest in a fit of Irish pride.

If I have anything warranted to say about Ireland and myself in relation to it, it’d be that I’ve thoroughly enjoyed myself every time I’ve been there.  I’ve enjoyed “Irish,” things: I watched Father Ted, I thought “Horse Outside” was funny, I’ve always had a taste for Irish made whiskeys (but the majority of the brands I patronize have admittedly become wholly owned subsidiaries of non-Irish conglomerates), and some of my favorite thinkers, artists, writers, and actors came directly from Ireland.

American St. Patrick’s day, however, is as authentically Irish as the word “Bling,” said on a reality show about wedding dresses is authentically hip-hop. I won’t get into the historical implications of who St. Patrick was or where he came from (not Ireland). In the US these days the holiday is, like myself, so distant from it’s Irish roots as to be no longer honestly related. American Halloween is more strongly indebted to Irish traditions and somehow that day is not used as a vacation from sobriety and dignified cultural sensitivity.

So this is my promise: Today, March 17 2013, I will drink and I will enjoy the hell out of it. I will be an American, finding pleasure in a ritual I know to be practiced in a truly American way. I won’t sing rebel songs, I won’t drink dyed beers, and above all I promise not to say I’m Irish (or wear a shirt demanding a kiss for that non-accomplishment). In return, should the notion strike you, feel free to invent some sort of American themed holiday. Maybe “St. Mullet Day,” where you can eat processed hamburgers slathered in yellow/orange cheese of questionable origin, as you watch a big budget Hollywood reboot of your favorite childhood cartoon while wearing a pro wrestling t-shirt and an elaborately ornamented cowboy hat, and maybe even invade a developing country under the auspices of world-protecting interventionism.  These are all stereotypes as near and dear to my heart as I’m sure green beer is to yours.

Sincerest apologies and sláinte,

-patrick stump

#saverockandroll #sireltonjohn

#saverockandroll #sireltonjohn

chicago-softcore asked: What if the artist really IS terrible, though? I think a lot of people dismiss things loudly because it's unfair that the artist in question gets such a huge spotlight. But then again, I guess the complainers are what's causing the spotlight in the first place. Nevermind? haha

That’s a great point but I think you’re missing mine; If you know an artist’s work and you hate it, fine. Share that. If you’ve more or less heard you’re SUPPOSED to hate an artist’s work? Then just don’t say it. It offers nothing of value to the world to be the last dude in line going “Hey, I can join in hating this crap too!” That’s nothing more than bullying and the world could use a lot more artists and dreamers than art-snobs and dream-killers.

That’s what my point is.

« Prev.    1 2 3 4 5    Next »